ENOCHIAN TABLET OF EARTH PDF

Aragore It is not much of a stretch to hypothesize that, just as Hebrew [23] maps to three dimensions, Enochian maps to four dimensions. Westcott derived Earth Chess Board. A voice, probably Michael [name of speaker was in the section torn out]: John Dee and Some Spirits Immediately, Enochiam is told to divide the circle into 40 parts, and the instructions for creating the Seal commence. Dee kept close records of their intensive work. I would fain procede according to the matter at hand. An expanded facsimile edition of Casaubon was published by Magickal Childe in [7].

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There was no purpose to the work other than tourism - I merely wanted to see what was there and record it as accurately as possible.

Curiosity is sometimes well rewarded; instructions were given on a new way to use the Tablets for magickal workings. The method involves the transformation of the two-dimensional Tablets into a three- dimensional structure that is the Temple of the Tablet.

The Temple demonstrates the fundamental geometric, energetic, and spiritual properties of the Enochian magickal system through a form embodying the character of its active, intelligent energies. There is much more to the Enochian magick than a mere collection of elemental energies. Rather, each tablet is an expression of the whole of existence, parallel to the cabalistic Tree of Life and equal to it in power and descriptive ability. With the practical and symbolic tools provided here, the competent magician will be able to unlock the higher aspects of the magick for himself.

A sketch of his Tree is provided in figure at the end of this book. The author believes that the Temple can be used effectively by persons using other symbol-systems, but at this point it is up to the users of other systems to discover how they can be connected with the Temple. The magician should have had some success in using the Enochian system to invoke the forces of single squares, and have made a preliminary exploration of the forces of the Tablet in question to the point that he feels both familiar and comfortable with them.

This is not a technique for beginners. Successful construction of the Temple generates a tremendous concentration of force, which can unbalance the inexperienced magician and open him to levels he is not yet ready to deal with. Background Each of the Elemental Tablets of the Enochian system is a 12 by 13 square board. Figure 1 shows the general layout of a Tablet, with the various types of squares labeled.

These squares can be re-arranged into a three-dimensional structure, which is the Temple of the element. The squares of the Tablets are arranged according to a regular hierarchical scheme, and each level of the hierarchy defines a particular part of the Temple.

The Great Central Cross of each Tablet is made up of the seventh row across the Tablet, and the sixth and seventh columns. The three Names of God come from the horizontal line, and are formed by taking the letters in groups of three, four, and five letters. The Elemental King of the Tablet has his name formed by an inward clockwise spiral around the center of the Tablet.

These names from the Central Cross are used to make up various parts of the upper Temple. The next set of squares are the Sephirotic Crosses, which are the five by six crosses centered in each Lesser Angle of the Tablet. These crosses make up the floor of the upper Temple, and the ceiling of the lower Temple, and project their force downwards into the Temple proper.

The four Kerubic squares of each lesser angle are the four squares above the horizontal arms of the sephirotic crosses. These squares are used to make the four outer pillars of the Temple. Finally, the remaining squares below the arms of the Sephirotic crosses are the servient squares, which represent the most material manifestation of the force of the tablet.

These squares are rearranged to make the floor and altars of the Temple. The Bricks The basic unit in the Elemental Tablets is the square. Since the Temple is a transformation of the Tablets into three dimensions, it follows that the basic unit for the construction of the Temple will be the cube. One particular kind of cube has proven to significantly enhance the effectiveness of astrally-constructed Temples.

These special cubes are formed from four truncated pyramids of the kind used in the Golden Dawn system to symbolize the energies of the Tablets. The pyramids have square bases. Each side adjacent to the base meets it at an angle of forty- five degrees, and the top has sides whose length is one-third that of a base side.

The pyramids are then set with their bases outwards to form four sides of a cube, with the top and bottom faces empty. The cube thus formed acts as an accumulator and focusing device for whatever energies are assigned to it. Beams meet in opposing pairs and are thrown outwards in the only directions remaining, as rays from the empty top and bottom faces. The wand-like nature of the projecting forces suggests that this form of the cube be associated with the fire aspect. Adding a fifth pyramid to the cube neutralizes the opposing forces of the first four, and causes energy to well up out of the sixth side like a fountain, or like a perpetually-opening lotus.

Clearly, this form of the cube relates to the water aspect. A cube of six pyramids perhaps combines earth and air, since all the faces are solid, but the hollow center contains the accumulated energies, distributed at equal concentration at all points of the space.

There are only two places in the Temple where one of these forms is required. Everywhere it is not specified, any of these forms can be used at the preference of the magician, or none of them used. My personal feeling is that the six- pyramid cube is not useful. In the 3-d cube, six of these cubical sides are seen in distorted perspective as truncated pyramids. So the cube, which started as a projection of a two-dimensional form, contains within it the potential for the projection to continue into additional dimensions.

By correspondence, the completed Temple will also be linked to other dimensions. Thus the relative dimensions remain constant no matter how large or small the unit is when measured in real terms.

The Temple can be made any size that is convenient to the magician. It can be constructed physically, or entirely on the astral levels. The effect on any plane will be about the same, no matter the materials used. Coloring appropriate to the particular Element should be used. The intelligences who gave the instructions say that it is also preferable, but not necessary, to paint on the attributions of each square as well.

This seems valuable but tedious for a Temple constructed of physical materials. But for astral workings such a course would likely be unfeasible for magicians lacking an eidetic memory. The floor of the Temple is made by lifting the Servient squares out of the tablet, and pushing them together to make an 8 by 8 board, with the squares maintaining their relative positions from the Tablet.

The Kerubic squares of each Lesser Angle are arranged in a 2 by 2 square, which touches the corner of the floor. The squares are arranged within the larger square so that they are in the same position relative to each other that their sub- elements are in the Tablet as a whole.

These grouped Kerubic squares are then extended upwards for a distance equal to eight times the width of a single square to form the pillars of the Temple.

The Sephirotic crosses are connected as in Fig. The crosses project downwards to form the inner walls of the Temple. The long arms of the crosses are oriented to follow diagonal lines drawn between the Kerubic Pillars, and the Malkuth squares of the vertical arms rest on the top of each pillar. The Tiphereth square of each cross will be over the center of the sixteen Servient squares of the Lesser Angle. Also note that in this formation, the squares attributed to Kether and Tiphereth are always hidden from any viewpoint outside of the Temple.

The names of the six Seniors are made into a star-shaped formation. The first letter of each name is formed into an equilateral triangle having sides of one unit, and the remaining letters are assigned to squares extending in a line from the base of the triangle.

The triangular units are fitted together to form a hexagonal center to the star. Except for this center, the arms of the star-shape are bent downwards at an angle of about thirty degrees to form the roof-braces of the Temple. The outermost square of each arm will be at the height of the tops of the Kerubic pillars.

The arms should extend outwards far enough that a circle touching all their ends would just enclose the Malkuth squares of the sephirotic crosses. When it is desired to emphasize the purely elemental aspects of the Temple, the rings are arranged so that they have a common center-point, and the plane of each ring is at right angles to the planes of the other two. When the higher, planetary aspect of the Temple is to be emphasized, then the rings are arranged so that they share a common diameter and their planes are set at angles of degrees to each other.

Example Consecration of the Temple of Earth The symbols and visualizations follow the text of the ritual. The Temple should be fully prepared ahead of time. If an astral or etheric Temple has been built, the magician should be able to hold its image steady without effort for several minutes at least, and to move about inside and outside of it without difficulty.

Perform a preliminary banishing of the work area, using both the Ritual of the Pentagram and the Ritual of the Hexagram. Vibrate the First Key, and call upon the Archangel of the Element in the Tablet of Union to oversee the work of consecration. I have dedicated this Temple to the work of returning the Earth, the daughter who is our mother, to the realms of the Gods from whence she came.

This is my true will, and a great and holy work. Let the light of the Gods raise her again upon high. Perform a preliminary invocation of the element of the Tablet.

Vibrate the Key of the Element. Hear me, and come unto me, and make this Temple the true house of the Daughter. I charge you all to make your force known within the Temple, as I call upon you by name. You are the magnet of the Temple, drawing unto it from the Ethyrs the forces of Earth. Thou who does express the force of the male within the Tablet! Thou Sun, who does blind all with your light! Ye who represent the god-stars within the Tablet! Ye who do receive and distribute the seed of the King unto the lower worlds!

Hear me and come unto me! Yea, ye children of the Gods, come unto this Temple, and enliven the earth with your flavorful waters! And let Man as well have his place therein. Let the sephiroth enclose him, and the Kerubs guard and focus him, and the Earth herself support him.

Hear me, ye who are the walls of the inner Temple, and do hide the light of the Sun therein from the eyes of the profane! Come unto me, and enliven this Temple, so that Man may see the roads to the Gods, and travel those roads in sureness and understanding!

Mighty warriors are ye, set to stand at the corners of the Temple as guards of the mysteries therein. Ye, co- equal with the Sephirotic Angels, whose power does run from the depths to the heights, expressing the same nature in all the worlds. Ye, pillars of the Temple, foursquare and righteous! Let the child come to meet his parents, in this place of light. And let the light of the Temple shine forth for all men to see and to wonder at. And let it infect them as does a puissant poison, and shatter their shells to show the Stars therein!

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ENOCHIAN TABLET OF EARTH PDF

John Dee and Edward Kelly, the secrets that were lost with the patriarch of the Bible known as Enoch were returned to those who thirst for the knowledge of Light. Dee kept close records of their intensive work. These documents are to be found at the British Museum in London. One of the most important breakthroughs in the rediscovery of these lost secrets was an entirely new language. This language contained its own grammar and syntax. It is an Angelic language often referred to as "Enochian. The dictating Angel was the Great Angel Ave.

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I. Introduction

There was no purpose to the work other than tourism - I merely wanted to see what was there and record it as accurately as possible. Curiosity is sometimes well rewarded; instructions were given on a new way to use the Tablets for magickal workings. The method involves the transformation of the two-dimensional Tablets into a three- dimensional structure that is the Temple of the Tablet. The Temple demonstrates the fundamental geometric, energetic, and spiritual properties of the Enochian magickal system through a form embodying the character of its active, intelligent energies. There is much more to the Enochian magick than a mere collection of elemental energies. Rather, each tablet is an expression of the whole of existence, parallel to the cabalistic Tree of Life and equal to it in power and descriptive ability. With the practical and symbolic tools provided here, the competent magician will be able to unlock the higher aspects of the magick for himself.

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Enochian Tablets

Can you connect those to the purposes, veiled as they are in Renaissance alchemical language, that the Great Angel AVE attributes to the four Watchtowers? Most of us learn the system without ever being taught the larger mystery of which they are a part. Dee seems to be unable to correct the Watchtowers and Kelley seems unable to reproduce them he allegedly tries in a trance in You also have a way to explain how John Dee and Edward Kelley could receive such information : it was there anyway, and something, within them or without, just had to focus the information field in a way that they could receive it.

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List of Enochian angels

These are not Enochian in derivation, but are modern in origin, based on my own personal work; and are based on related formulae that were commonly employed during the era when John Dee received the Enochian system. You are welcome to view them and work with them as you see fit. These tablets are given in the Hebrew alphabet. They are designed to work with the Hebrew font that I have found most generally useful over the years.

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