DERRYL GABEL PDF

Get this crazy baby off my head! Derryl has a keen sense of when to burn and when to breathe. Overture - D. East 2. Over The Edge - D.

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Interviews with the current masters of virtuoso guitar. He was kind enough to provide us with a short interview on gear, technique, and his personal musical evolution First off, thanks for your time Derryl! Thank you for the interview! Can you pinpoint when you first began your transition from neo-classical shredder to fusion player?

I would read interviews from some of my favorite players and a lot of times they pointed back to jazz and fusion players as influences and mentors. I suppose during my brief lesson period from Richard Medel he got me into listening to horn players like Parker, Coltrane, and Cannonball.

That was back in the very early 90s. How did your studies with Derek Taylor influence your style? Derek and I became friends through mutual admiration but I have to admit he was a lot better than me at the time While he was practicing all day I was having to work a day job outside and come home exhausted.

We were doing similar things because we were studying the same Shrapnel players and just putting our own touch to it. He showed me the two-fingered tapping approach initially. He was doing these Paul Gilbert-inspired string skipping arps and extending them by tapping the two notes on top.

I took that idea and started using it with pentatonics on every string and scales as well as arp sequencing. Just last year I saw an old video on Youtube of Steve Lynch from Autograph using the technique back from the mid 80s. I think the all exclusive hammer-ons thing is misunderstood. This type of thing kind of happened naturally though through just the pure physics I suppose.

As an example, if I were decending a pentatonic scale using the concept at a very high speed the descending hammer-ons would just naturally occur. What guitars are you currently using?

What about amps and effects? Actually my just died and I bought a GSP to replace it. What sort of setup do you favour on your instruments strings, pickups, action etc. I like the action to be as low as possible. My action is. I use. For picks I use the purple Dunlop mini stubby 3 mm.

Have you been tempted to go the seven or eight-string route at any time? I tried a seven-string and liked it but had to sell it for financial reasons. I will get another eventually when I can afford it. How much of your practice time is currently devoted to pure technique compared to theoretical study and improvisation? I mainly just practice improvisation. As a teacher, what are the most common problems you encounter when students first begin delving into fusion playing?

They are still hooked on the metronome. Also, they tend to think more scalularly and not chordally. What musicians guitarists or otherwise have caught your ear recently? What are your plans for the future? I plan on making a few more DVDs and an album. Still trying to tweak it though and get the bugs out.

Derryl, thank you once again and best of luck! Thank you! See his website for details.

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Interviews with the current masters of virtuoso guitar. He was kind enough to provide us with a short interview on gear, technique, and his personal musical evolution First off, thanks for your time Derryl! Thank you for the interview! Can you pinpoint when you first began your transition from neo-classical shredder to fusion player? I would read interviews from some of my favorite players and a lot of times they pointed back to jazz and fusion players as influences and mentors. I suppose during my brief lesson period from Richard Medel he got me into listening to horn players like Parker, Coltrane, and Cannonball.

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