His guests are a colorful bunch, including Sandor Rojas, an "ex-Hungarian Freedom fighter," and the avant-garde Duke di Angelis quartet comprised of Duke, Vincent, Krinkles and Paco who together perform an original piece in complete silence. Meatball, however, decides to take action rather than hide silently in the closet, and through the energy he exerts succeeds in minimizing the chaos of the party through the establishment of order, however temporary and fleeting. Often Aubade checks the temperature outside, which has remained at a constant 37 deg. Fahrenheit for a number of days despite the drastic change in weather. The story ends with the death of the bird Callisto has attempted to sustain through the transfer of heat from his own body to that of the sick animal.

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He is weather prophet. The weather will continue bad, he says. There will be more calamities, more death, more despair. Not the slightest indication of a change anywhere…. We must get into step, a lockstep toward the prison of death.

There is no escape. The weather will not change. On the kitchen floor, amid a litter of empty champagne fifths, were Sandor Rojas and three friends, playing spit in the ocean and staying awake on Heidseck and benzedrine pills.

They all wore hornrimmed sunglasses and rapt expressions, and smoked funny-looking cigarettes which contained not, as you might expect, tobacco, but an adulterated form of cannabis sativa. This group was the Duke di Angelis quartet. From time to time one of them would flick the ashes from his cigarette into the speaker cone to watch them dance around. Meatball himself was sleeping over by the window, holding an empty magnum to his chest as if it were a teddy bear.

Several government girls, who worked for people like the State Department and NSA, had passed out on couches, chairs and in one case the bathroom sink.

Everyone saw a fine irony in this. They would haunt Armenian delicatessens for weeks at a stretch and invite you over for bulghour and lamb in tiny kitchens whose walls were covered with bullfight posters. Outside there was rain. Rain splatted against the tar paper on the roof and was fractured into a fine spray off the noses, eyebrows and lips of wooden gargoyles under the eaves, and ran like drool down the windowpanes.

The day before, it had snowed and the day before that there had been winds of gale force and before that the sun had made the city glitter bright as April, though the calendar read early February. It is a curious season in Washington, this false spring. And as every good Romantic knows, the soul spiritus, ruach, pneuma is nothing, substantially, but air; it is only natural that warpings in the atmosphere should be recapitulated in those who breathe it.

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Thomas Pynchon, Newton’s Second Law and Entropy

Introduction Thomas Pynchon achieves an unusual synthesis of art and science, and develops the unique character of his ambitious, "post-modern" works with a renaissance conception of continuous knowledge. Engineering principals animate his fiction in literal explorations, and then escalate into larger thematic matter. Entropy Entropy is a quantity that, in its two contexts, characterizes not only all form and life in the universe, but all signal, language, information and written material ever produced anywhere. There are two fields which define this concept: Thermodynamics is the science of the relations between heat and other forms of energy. It deals with the changes that occur in a system if the energy distribution is unbalanced, therefore it "can be regarded as governing the direction of all physical changes taking place in the universe. With time, the energy within a system will inevitably tend to become distributed in the most probable pattern, which consists of all the individual particles of the system engaging in random, disordered motion" OED. Thermodynamic entropy is the measure of this disorganization in a system.


Thomas Pynchon

In the bootleg edition, Pynchon went even further. Meatball Mulligan restores order and momentum to his lease-breaking party, which had reached its third day and was running down. However, this popular sense that entropy and force are opposites, that entropy suggests something negative and passive, while force is positive or active, is technically not correct. As Pynchon notes in his Slow Learner introduction, the idea of entropy was first developed by the 19th century physicist Rudolf Clausius, who built on earlier ideas of the French engineer Sadi Carnot. Carnot and Clausius were both trying to understand how heat energy is transformed into useful work, such as when steam drives a piston in an engine.


Read “Entropy,” a short story by Thomas Pynchon

He is weather prophet. The weather will continue bad, he says. There will be more calamities, more death, more despair. Not the slightest indication of a change anywhere….


"ENTROPY" by Thomas Pynchon

Dick —which seem, after the fact, to anticipate cyberpunk styles and themes. Only a few photos of him are known to exist, nearly all from his high school and college days, and his whereabouts have often remained undisclosed. A review of V. Pynchon wrote an introduction for his short story collection Slow Learner. Keep trying. Journalists have continued to speculate about his identity and activities, and characterized his mass media avoidance as "reclusive".

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