Mojas Hyperion offers both CDs, and downloads in a number of formats. February Total duration: The brighter sound this high-scored six-voice SSATTB choir produces is then emphasized in the style of the writing, which is more chordal than usual. Assumpta est Maria a 6 Giovanni Pierluigi da Palestrina — ChoralWiki Similarly in the first Kyrie of the Mass Palestrina states the point twice, while cleverly abbreviating the entries, and all the other movements except the Gloria start with imitation of some kind, even the Credo. Update Required To play the media you will palestrinna to either update your browser to a recent version or update your Flash plugin. On the other hand, The Tallis Scholars had to rely on their own editions for recording the Masses Sicut liliumNigra sumBenedicta es and Nasce la gioja mia.
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Who had considered that until her coming The manifold heaven was incomplete? The resurrected one had taken his place, But next him, throughout four and twenty years, The seat was empty. And already they began To grow accustomed to the pure gap that was As if healed over, for with his beautiful Overspreading shine the son filled it.
So even she, entering the heavens, went Not towards him, as much as she longed to. There was no room there, only He was there, Resplendent with a radiance that hurt her. Yet as she now, that moving figure, Joined the newly blessed and took her place, Inconspicuous, light to light, There broke out of her being a reserve Of such glory, that the angel lighted up By her cried out dazzled: Who is she?
There was amazement. Then they all saw how God the Father above held our Lord So that, with mild twilight playing round it, The empty place showed like a bit of sorrow, A trace of loneliness, like something He was still enduring, a residue Of earthly time They looked towards her: she was watching anxiously, Leaning far forward, as though she felt: I am His longest pain — : and suddenly plunged forward.
But the angels took her to themselves And supported her and sang beatifically And carried her the last stretch aloft. Mary is taken up into heaven: The angels rejoice: Joyfully they bless the Lord.
The Virgin Mary is taken up to the heavenly bridal chamber, in which the King of Kings Sits on his starry throne. All Rights Reserved.
Missa Assumpta est Maria, for 6 voices
Groups of notes called motifs are extracted from this melody and used at points of imitation throughout the mass. This one uses an antiphon written for the feast day of the Virgin Mary a so-called Marian antiphon. In addition, Palestrina introduces a little figure of five ascending notes which is used throughout the mass for a joyful decorative effect. The mass expresses the joy and vitality of a great festal day through exhuberant melodic lines rife with elaborate decorative elements.
Missa Assumpta est Maria (Palestrina, Giovanni Pierluigi da)
Who had considered that until her coming The manifold heaven was incomplete? The resurrected one had taken his place, But next him, throughout four and twenty years, The seat was empty. And already they began To grow accustomed to the pure gap that was As if healed over, for with his beautiful Overspreading shine the son filled it. So even she, entering the heavens, went Not towards him, as much as she longed to.
Assumpta est Maria
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